In this crazy dream, streets were completely empty, and the worst part was the deafening silence. Without people, mother nature spreaded to the cities, while men were losing their freedom Staying at home by our own choice is good, if it’s mandatory it’s a problem. The fashion industry said they approved the new outfit, now it was cool to spend the day in pajamas or sweats…Wow, what a relief, what a tragedy it would be to be considered cringe. But the real help, the true one, came from the arts… this was for good! The luckiest had digital platforms to listen to millions of songs and podcasts, new books to read, a diversity of movies available on streaming, virtual visits to museums around the world… Art saved many people from madness. And oddly, at the same time, the arts suffered from major attacks and defeats in my country (who needs Art anyway? irony intended).. The dream went on, and other countries appeared on the media with other misfortunes, with people running away, on boats and planes. I should call it a nightmare, not a dream…but I don’t, because in that human blender, very good things happened, in contrast with all that tragedy. Because there was indifference, but there was also a wave of solidarity and empathy. Because there was loneliness, but also the best company from our family, friends and pets. Because there were closed doors, but also other frontiers got opened. Because there was fear, but also faith! And there was love, there is always love, that in the most challenging times rises with a supernatural strength capable of keeping the world alive. Nothing is linear. I woke up in the morning, but I’m afraid that the dream will go on if I sleep again…...
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Simone Michielin
ARTIST
25015 Desenzano del Garda, Province of Brescia, Italy
Bio
Simone Michielin, is a brazilian artist, living in Italy. Painter, illustrator, researcher and student of various techniques and forms of artistic exploration. First graduated in law, her base as a visual artist is formed through free courses, study groups, experimentation and artistic orientations and participation in professional associations, in order to be involved in different areas of production and creative processes. She has participated in several solo and group exhibitions, in Brazil and Italy. She has also worked with large scale public art. Her work has already been on the cover of an important Brazilian decoration magazine, and exhibited in two important galleries in Florence, Italy, and one of her large-scale works, created especially for the 2016 Olympics, is on permanent display at the Olympic Museum in Moscow. She was the vice-president of an important artistic association in Brazil, where she promoted several exhibitions to raise the name of the institution. Today, Simone lives and works in Italy, and has already participated in an international art platform, besides being selected to participate in an important international fair in the United States.
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